Artwork’s proceeds help Garden Friends - Otago Daily Times by Sam Foley

Artwork’s proceeds help Garden Friends | Otago Daily Times Online News (odt.co.nz)

Dunedin artist Sam Foley’s recent exhibition, "Last Light in the Gardens", has given a huge boost to the Friends of the Dunedin Botanic Garden (FDBG), as he donated proceeds from one of the paintings to the group.

"The result was that Sam has gifted $15,000 to the Friends committee to be used for a future development project in the botanic garden," FDBG president Sue Lambie said.

Foley, who lives in North Dunedin, drew inspiration from the botanic garden and its rhododendron dell, for the exhibition.

"I’ve been coming here since age 4," he said. "I just wanted to pass on the gift."

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Art Seen: March 3, 2022 - Otago Daily Times by Sam Foley

Last Light IX, oil on canvas, 150 x 110cm

"Last Light in the Garden", Sam Foley (Dowling Street Studios)

It’s always interesting to see an artist’s work in or close to their studio, and Sam Foley’s latest exhibition is in such a space, down an alley and up some steep steps at 20A Dowling St. For those not game to climb to Foley’s studio, the exhibition will be transferring to The Artist’s Room in two weeks.

"Last Light in the Garden" uses the Dunedin Botanic Garden, and especially the Rhododendron Dell, as subject matter. Foley was somewhat hesitant about painting walkways overhung with rhododendrons, a subject which has been virtually copyrighted in New Zealand by Karl Maughan. Using the latter artist’s work as a benchmark, Foley has created images which touch on the Maughan-like but which have the distinct mark of Foley. This has been achieved by not presenting the dell in full daylight, but by recreating it in the crepuscular gloom which is a mark of many of the artist’s works.

The resulting images present the gardens as a place of beauty and haunting otherworldliness, with paths leading into the unknown. This is fitting, given the multilayered meaning of "Last Light in the Garden". It can not only be taken in a literal sense, but also in terms of the expulsion from the Garden of Eden and also our current global ecological crisis.

By James Dignan

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Inspiration down the garden path by Sam Foley

Rhododendrons (after Maughan), oil on canvas, 160 x 110cm

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Artist Sam Foley hopes to give back to the place he has always loved through his latest exhibition, which features one of the city’s landmarks. He tells Rebecca Fox about his love of the city’s botanic garden.

Running through Dunedin Botanic Garden, artist Sam Foley does some of his best thinking — and possibly some of his most confused.

It was the confused thinking that finally galvanised him into creating his latest exhibition, when he realised waiting for someone to die before painting something did not really make sense.

Foley, who is known for his detailed urban and nature landscapes, has always loved the botanic garden and has fond memories of time spent there as a child.

"Mum used to take us there, it’s firmly etched in my memory as an environment. We spent endless hours in that old playground where the car park is now."

Still living in the North end today, Foley runs every day during the week through the garden, and can often be found there with his daughter at the weekends.

"There is always something new to see. I’ve been to quite a few botanic gardens around the place and this one really stacks up, but maybe I’m biased."

The idea of painting the garden, especially the upper garden, seemed a natural idea. So Foley gave it a go, but each time he did, he felt was "ripping off" one of New Zealand’s most recognisable painters, Karl Maughan, who specialises in garden scenes, even though he paints differently to him.

"It was an issue for me. It was psychological but it was getting in the way of something I wanted to do. It’s been a funny process in that respect. Coming to terms with ‘can I do it?’ Trying to see my way to a situation where I can."

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Efforts raise $25k for surf life-saving clubs by Sam Foley

The donated print ‘Cycleway’ was one of the items auctioned at the Oyster Bash and raised $1950.

The donated print ‘Cycleway’ was one of the items auctioned at the Oyster Bash and raised $1950.

Five Otago surf life-saving clubs will soon receive important equipment and related funds, thanks to a $25,000 donation by a Dunedin business.

The Harbour Fish  "Oyster Bash" and an associated auction at Vault 21 restaurant in the Octagon, in mid-March,  helped raise funds for the  St Clair, St Kilda, Brighton, Warrington and Kaka Point clubs.

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Selected Finalist for The 29th Wallace Art Awards - Travelling Show by Sam Foley

Car park off George Street, oil on canvas, 150 x 110cm

Car park off George Street, oil on canvas, 150 x 110cm

For the 8th year now, Sam Foley has been a selected finalist for this important competition and traveling exhibition, featuring prominently on the NZ Arts calendar.

‘This is an oil on canvas painting depicting graffiti on a sun-baked concrete wall. The graffiti shown is not particularly elegant, significant or in any way beautiful. However, the painting itself is well executed, photographic in its portrayal with the surface pleasingly textured. The sun shines but the invitation to enter the space ends there. A perspective that creates depth to draw a viewer into the scene is absent. It is a dead-end of composition. There is no obvious way out, only the hinted shadow of a nearby tree, possibly leading to greener pastures. There is also the intimated violence of private/public property willfully damaged by the act. A tension is created between a beautifully rendered but mostly mundane, even ugly scene. Look away... but do look back.’

Sam Foley , July 2020

Exhibition dates -

Wallace Arts Centre, Pah Homestead
15 September – 15th November.
(The Salon des Refusés  finishes on Oct 25th)

Pātaka Art+Museum
Official opening Sunday 6th of December, ending Sunday 28 February 2021.

Wallace Gallery Morrinsville
March – May 2021.